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In 1926 Carter G. Woodson and the Association for the Study of Negro Life and History, announced their plan to designate the second week of February "Negro History Week." Blacks living in America, having survived the horrors of slavery and endured inhumane treatment post-emancipation, had no roots to their African homelands. Woodson contended that if Black history was not properly acknowledged America's future generations would be in tremendous jeopardy.
"If a race has no history, it has no worthwhile tradition, it becomes a negligible factor in the thought of the world, and it stands in danger of being exterminated. The American Indian left no continuous record. He did not appreciate the value of tradition; and where is he today? The Hebrew keenly appreciated the value of tradition, as is attested by the Bible itself. In spite of worldwide persecution, therefore, he is a great factor in our civilization."
The annual month long celebration of African American history informally began in the 1960s at the urging of Kent State University's Black United Student organization and was eventually recognized by the U.S. government in 1976. As a child I was apart of the 1980's and 90s enthusiasm that swept through elementary and high schools everywhere. African kente cloth prints inspired fashion. The lives of King, Parks, X, Tubman, Douglass informed special assemblies, poetry, HBCU apparel and cultural anthems. Communities celebrated pride in blackness year-round, but with extra vigor in February. But, as time has passed, the reverent regard surrounding Black History Month has diminished so drastically it calls into question it's relevance.
The need to separate African American historic achievements from that of the larger population is becoming more frequently debated. We've elected our first biracial President, a globally popular figure of African and Irish descent. The masses complain about the redundancy of slave narratives, no matter how poignantly they are told. Due to the glaring disparity in accounts of African American contributions to the construction of our nation and it's economy, I personally believe the commemoration is still very necessary. General knowledge of African American history barely skims the surface and recent events have sorely reminded us that the lives of black people, especially young men, are often valued less than their Caucasian counterparts. I am not yet convinced that we are not living in a post racial society. https://maryclaremontchronicles.wordpress.com/2013/07/18/when-race-class-and-culture-collide-the-obliteration-of-our-post-racial-america/
What can be done to make black history month less mundane? Ideally we can use this time not only to remember our ancestry, but also to evaluate our present position and establish priorities for our collective future as African Americans. But how do you engage individuals who might not understand the gravity of connecting the here and now with days gone by? Music is always a great place to start.
Hip hop culture has flooded mainstream America. But, with commercial appeal a sense of consciousness has been lost. There was a time when an emcee could move the crowd and inspire a movement. As a parent who enjoys rap music, I am constantly looking for opportunities to introduce kids to a side of hip hop culture that is less misogynistic and more motivational. When wordsmiths use their craft to make hip hop the poetry of our people, they can ignite our sense of personal and communal power. Using your discretion, consider the lyrical content and age of your audience, then share these songs and videos below with a new audience. Remind them that knowing where they come from and what those before them came through, can help them navigate their own journey to greatness. You Must Learn - KRS One and Boogie Down Productions
Teach the
student what needs to be taught / 'Cause Black and White kids both take
shorts
When one
doesn't know about the other ones' culture / Ignorance swoops down like a
vulture
KRS, an acronym for “Knowledge Reigning Supreme”, aka Teacha is the preeminent conscience emcee. From BDP’s 1989 album Ghetto Music: The Blueprint of Hip Hop, KRS-One tries to instill in his listeners a love of African American history.
U.N.I.T.Y - Queen Latifah
U.N.I.T.Y., Love a black woman from infinity to infinity.Before becoming a Hollywood powerhouse Queen Latifah reigned supreme as a hip hop female force to be reckoned with. The single, released on January 6, 1994, spoke out against the disrespect of women in society, addressing issues of street harassment, domestic violence, and slurs against women in hip hop culture.
Before we came to this country / We were kings and queens, never porch monkeys
There was empires in Africa
called Kush / Timbuktu, where every race
came to get books
To learn from black teachers who taught Greeks and Romans
Asian, Arabs and gave them gold
To learn from black teachers who taught Greeks and Romans
Asian, Arabs and gave them gold
When gold was converted to money it
all changed / Money then became empowerment
for Europeans
One of Nas' highest charting singles to date, this ditty is definitely for the kids. Nas taps into his paternal side and drops so historical gems along the way. He encourages children to follow your dreams and recognize that they can do anything they set their minds to. Free - Goodie Mob
Many are blind and cannot
find the truth / 'Cause no one seems to really know
But I won't accept that this
is how it's gon' be / Devil, you gotta let me and my people go
Goodie Mob is a
hip-hop group from Atlanta, Georgia that consisted of breakout star Cee-Lo
Green and his Organized Noize brothers Khujo, T-Mo, and Big Gipp. This intro
set the tone for their debut album Soul Food in 1995.
Proud To Be Black - Run DMC
God bless the next baby that comes in this world / The world's full of hate discrimination and sin
People judgin other people by the color of skin / I'll attack this matter, in my own way
The Hollis, Queens New York trio is possibly the most influential act in the history of hip hop culture. From the 1986 Raising Hell Album, Proud To Be Black was a militant black history lesson for their legion of fans across cultures.
Keep Your Head Up - Tupac
I remember Marvin Gaye, used to sing ta me / He had me feelin like black was tha thing to be
And suddenly tha ghetto didn't seem so tough / And though we had it rough, we always had enough
Tupac's legacy lives on in his lyrics laced with outspoken social commentary. There was a lot more to this "rose that grew from concrete" than the thug life motto he's become known for. As he recounts his childhood and affirms black women, Pac is both critical and grateful to his mother, former Black Panther Afeni Shakur. Despite her shortcomings it's clear that activism helped shaped his incendiary passion.
Fight The Power - Public Enemy
Our freedom of speech is
freedom or death / We got to fight the
powers that be
Lemme hear you say / Fight the power
This anthem, originally from the soundtrack to Spike Lee’s Freedom (Theme from Panther)
Slung from the belly of the beast / Used to speak African tongue
So I showed her next one bolder / Slung the devil over my
shoulder
I'm getting over 'cause I'm bolder than the next / I'm enlightened 'cause I speak the real truth from the text
"Freedom" was a 1995 song released on Mercury Records featuring a chorus of over 60 African-American female artists and groups of note in hip-hop, pop and R&B music including Aaliyah, Vanessa L. Williams, Mary J. Blige, MC Lyte, Coko, En Vogue, SWV, TLC, Lisa Lopes, and Monica. I'm getting over 'cause I'm bolder than the next / I'm enlightened 'cause I speak the real truth from the text
Umi Says - Mos Def
My Umi said shine your
light on the world / Shine your light
for the world to see
My Abi said shine your light on the world / Shine your light for the world to seeI want black people to be free, to be free, to be free
Brooklyn Muslim Dante Terrell Smith is better known by the stage names Mos Def and Yasiin Bey. The recording artist and actor performed with the groups Thermo Dynamics and Black Star before establishing his solo career with the Black on Both Sides. "Umi Says" was a spirit-filled, radio friendly hit that reminded listeners of their luminescence.My Abi said shine your light on the world / Shine your light for the world to seeI want black people to be free, to be free, to be free
Liberation - Outkast
If your ass don't move, and
the rain don't fall
And the ground just dry
But the roots are strong, so some survive
Outkast teamed up with Erykah Badu, Big Rube, Cee-Lo in 1998 to combine a variety of musical styles, including gospel,jazz, blues, and world music on a song that included rapped vocals, while also featuring soul singing and spoken word styles. Lyrically, the track utilizes images of slavery to symbolize freedom from hatred, inequality, and all the obstacles people face in their community (and music industry) that can distract from their goals and true objectives.And the ground just dry
But the roots are strong, so some survive
Yes We Can - Will.I.Am
Yes we can to justice and
equality / Yes we can to opportunity and
prosperity
Yes we can heal this nation / Yes we can repair this world
Produced by Black Eyed Peas member Wil.I.Am, Yes We Can was created to mobilize youth voter registration and turnout for Barack Obama's first presidential campaign. Will.I.Am sampled sound bytes from Obama's concession speech in the 2008 New Hampshire primary.Yes we can heal this nation / Yes we can repair this world
**After your hip hop black history lesson make sure your kids know the words to We Shall Overcome and The Black National Anthem!
